Atmosphere, attitude, and animal attraction — along with an intriguing dose of stylish mystery — are at the heart of Alis Locanta’s “The Heat 2.” While this sequel employs the same haunting jazz score utilized in the original, the film’s stars — Lola Rêve and Tania G — are both newcomers, each making their first ever appearance in a Sexart feature. The two blondes, in separate settings that may, or may not, be in the same building, tease and partially strip in the opening sequence. In the next segment they are together in an undefined white room. Lola is blindfolded, and Tania takes the role of aggressive seducer. The steady build-up of oral and manual stimulation pushes Lola to ever-higher levels of pleasure until she’s finally overwhelmed by orgasm. After a cut and a change of costume we find Lola, on her hands and knees, crawling across a crimson carpet towards the nearly nude Tania who sits on an internally illuminated cube. Ravenous clit and slit licking ensues, as does vigorous multi-finger probing. As Tania quivers and moans with delight, Lola abruptly pulls Tania up and off her seat and presses her, face-first, against the adjacent wall where she continues her erotic ministrations until Tania succumbs, completely, to pleasure. Scenarist-Director Locanta ends his film with a stylishly cryptic epilogue — or is it a prologue that’s been deliberately misplaced? Now Lola Rêve and Tania G are seated on opposite ends of a couch. Tania masturbates. Lola gazes at the camera. It’s an intriguing tableaux, and adds a final erotic fillip to the altogether torrid “The Heat 2.